I love E3, but it is a complicated and melancholic love. I do not love, for instance, the flashing lights, the scrum of the crowd, the omnipresent rumble of electronic whatchamajiggers - all of these suggest sheer novelty, as if queued within a grand casino. In fact, I'm sure I would absolutely loathe
being at E3, which either means I am lucky that I never have, or prudent that I never will. No, what E3 and I have is a long-distance relationship: It does its thing, and I love it from afar.
You see, I love it when people
lie. In the epicentre of that digimal carnival, that cross between Xanadu and Faxanadu, I'm sure it all makes sense. Spin, in these places, is de rigueur - not simply a helpful tool, but a way of life. If you haven't
believed six impossible things before breakfast, you're under quota.
But take a few steps back, and everything changes: the glitz seems chintzy, the electronic bleeps and bloops sound suspiciously tin-horn, and everyone seems rather crushed by the electronic goodies that surround them. And it's from this vantage that it becomes delightful.
Take this bit from Slate, presented ostensibly to comment on the economic downturn. I submit that this doesn't succeed as news - its function, rather, is parody.
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